When you're done, hit Export to blow the entire POLAR session into your Digital Performer project for further editing, processing and mixing.R2R | | 951.8 MB Indulge your creativity, then perfect your mix. (3 bars against 7, anyone?) The results can be mind-blowing. Now try loops of odd lengths repeating against each other. For truly amazing looped effects, try changing the length of the record loop between passes. Be prepared to lose track of hours as you explore interactive layers upon layers. POLAR provides a seductive form of interactive loop-recording that produces results you might never have imagined. Many options are provided to facilitate real-time interaction with the computer, allowing you to record ideas quickly and spontaneously. POLAR allows you to continuously loop-record vocal comps, beat-boxing, guitar, or pretty much anything, overdubbing each pass to build up vocal stacks or layered audio loops of any length with any number of layers. Inspired by the classic Echoplex tape delay effect, POLAR™ stands for "Performance Oriented Loop Audio Recording". No matter how you approach your music and audio production, DP's highly customizable user interface empowers your personal workflow. Then polish your recording with Digital Performer’s extensive editing, mixing, processing and mastering tools. Import loops, launch virtual instruments and 3rd-party plug-ins: Digital Performer is the consummate host. Work musically with features like the Drum Editor and QuickScribe notation, then switch gears for creative production techniques with inspiring plug-ins like DP's Subkick, Ensemble Chorus, and guitar FX plug-ins. Combine external hardware - synths, controllers, mics, instruments, compressors - with virtual instruments, loops, audio tracks and MIDI tracks, all together in a seamless, intuitive production environment. Record, edit, mix, process and master polished recordings. It's a recording studio - in your computerĭigital Performer represents a complete studio production experience on your computer desktop.
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